When a presenter says 'keep your texts coming in', I picture an elderly lady hunched over a large mobile phone frantically despatching repeated texts to the radio station, in dutiful response to the instruction.
In truth, the presenter really wants each listener to sends a single text. As a broadcaster you want to motivate one listener to do one thing, once. 'Text me'. When that connection happens powerfully, scale results.
As Terry Wogan said to Andrew Neil on 'This Week', radio engages because you 'talk to an individual'. Terry's words are correct. Whilst his Radio 2 transmitters beamed out to millions, he sounded as though he was just mumbling to you. That great relationship between radio station and listener exists because every listener feels the presenter is addressing them alone. That's why, when listeners do get in touch with you, they use the same language to you as they would to a friend.
Whilst this 'talk to a single listener' lesson is probably the first thing most broadcasters wisely learn when venturing into radio, it's surprising how many presenters appear to have had that page of the rules ripped out of their copy of the presenter bible. They'll announce that 'lots of you have been in touch'. Lots of Me? As I look around my room, like so many radio listeners, I am alone. The presenter appears to be addressing a large assembly somewhere else. 'Keep your calls coming in'. Goodness, I have not made one yet. I don't think I'll be bothering.
Winston Churchill would probably agree with me that words do make a difference. As would every sports captain giving a half-time pep talk. In fact, if we truly believe that a few words here and there make no difference then we should agree there is no difference between the best and the worst broadcaster. Rudyard Kipling suggested that “Words are, of course, the most powerful drug used by mankind.”
It's easy to pick up bad habits. That officious passive language, as befits railway announcements like 'passengers are reminded that', can creep into both presenter banter and the 'tickets can be obtained from' phrasing of on-air promos.
Then there are those lovely travel cliches, including the 'earlier accident'. As opposed to the one which is just about to happen, I guess. Hopefully, though, the travel news has been ordered in a sensible way, telling me where the incident is first, before the detail. And the presenter has avoided the common 'over in X' error, and has acknowledged that the presenter and the listener are actually in the same place. You are on their radio in their car, in Scotland.
Don't you just Iove those lovely lengthy show menus: 'all that - and more - between now and 10.00'. What a great idea it must appear to be to highlight the time at which the show will end. The show menu is usually inordinately long too, forgetting that great 'round of drinks' analogy: when you're asked to go to fetch a round of drinks, there's only so much information you can store in your head. And of course, there are the presenters who trumpet a vaguely familiar guest's name and hope that alone is sufficient to tempt me to listen, rather than telling me something interesting about what they might say.
Poor language gets in the way. You're more likely to get a personal story from a listener when you say 'give me a call', than if you say 'call us here at the station'. The listener trusts you. They're more likely to share something with you than your 'team' 'through the glass'.
When you're on air, stare your single listener in the eyes. Talk to them, and only them. Ask them questions. Give them time to nod, smile, or shake their head.
Mind you, we are such a polite bunch. If we are introduced by a colleague on-air, we say 'thanks, Shirley'. Why are we thanking her though? Just for mentioning our name? How bizarre. Sometimes it's even politer 'thank you very much indeed there, Shirley'. It's likely a reflex action, to afford the presenter sufficient time to compose themselves, in much the same way that so many news reporters say 'good morning' before beginning their live reports. Even if those despatches are about a murder. There's little good about mornings like that.
TV reporters can be even jollier with the delicious 'a very good morning to you'. How often do we hear that phrase in the real world? Ever?
And, not largely relevant, but it gets it out my system. What about time checks? Why do normal grown-ups start saying '18 before 2' when they get on the radio, even on BBC stations? And when 'it's just coming round to 21 and a half minutes past 8', should we maybe be eternally grateful for that imprecise precision? It's just not what you would say.
Why the words we use make a difference


When listeners get in touch with you, they use the same language to you as they would to a friend - so we should too
This article was originally published on David Lloyd's blog and is reprinted here with permission.
All David's working life has been in radio, apart from the first seven months when he was appointed to fetch cigarettes from the corner shop down the road from the bank in which he worked. David now works at Orion Media.
Visit David Lloyd's website
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Great article and very well written!