BBC Local Radio - New National Evening Programme
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Paul Easton posted on Wednesday 18th July 2012 at 12:56The BBC has published the tender document for the nationally-networked evening show to be broadcast across all of its (English) Local Radio stations from January.
In particular…
SPECIFIC EVENING PROGRAMME INFORMATION
Editorial Brief
The new all local radio evening programme between 19:00 and 22:00 on weekdays will be targeted at the same audience as current BBC LR output i.e. adults aged 50 plus.
Key Editorial Characteristics
• In keeping with all other BBC LR programmes the tone and character must feel part of our existing output and be a company listen, as well as having entertainment, creativity and quality at its core.
• It will be speech-led (a minimum of 60 per cent). Speech will reflect the interests of local radio audience across BBC LR and will include creative treatments of some of the best stories retold from BBC LR.
• Interaction with listeners, using phones, texts, emails and social media will form a significant part of the programme content.
• Music will be based on the current local radio core playlist with an increased bias towards music from past decades.
• News and travel bulletins will provided by BBC LR.
• Stations will opt-out completely for sports coverage and topical editorial sports content will feature in the programme.
• Stations will opt-out completely for major breaking local stories.
• There will be opportunities for the programme to bring the wider BBC to local radio listeners, from topical interviews, to relevant content such as Star Gazing and Springwatch.
• At the centre of this programme will be one or more personality presenter/s.
• The content must ensure a strong geographical spread of coverage each night.
BBC LR will provide
• A senior editorial figure to be the executive producer and direct contact with the independent production company.
• Music scheduling and music returns for every programme broadcast.
• Jingle package.
• Procurement and management of presentation talent.
They’re offering £150,000 a year – not including presenter costs – to cover the production of all associated web pages, social media content, daily trail production and the programme production costs. It has been pointed out that this is rather on the low side.

Terry Box:
I still can’t understand the reason why that The Roger Day Show is going to be axed just because of this.
It’s not just Roger’s programme (which goes out on six BBC LR stations) that’s being axed, though – all of the regionally-shared LR evening programmes are being replaced with this new networked programme.
Local Radio has to make cuts as part of the BBC’s overall DQF (Delivering Quality First) proposals.

It is absolutely no money, is it? Now: this £150,000 doesn’t include presentation staff; but you’d still have to hire a studio – and it’s speech-led, which means it’s not cheap to make.
Of course, RIG won’t kick up a fuss about it – since there’s nobody else in town for them other than the BBC. The comparison with Radio 4 is valid – and I can’t help wonder whether it’s BBC local radio dragging their heels and trying to avoid change. Change, after all, recommended by someone who worked for commercial radio.

One of the things that people do not seem to get is that listeners to BBC local radio, apart from being of mature years, as also very loyal and passionate about their bit of the beeb. This partly stems from the way the stations were introduced back in 1968. Yes, I know that radio has changed, and evolved a hell of a lot since then but one thing has stayed true, for the most part BBC locals, have stayed ‘local’. Yes there have been regional tie ups, like the Roger Day show and the new Sunday afternoon Mike Wyre Show that I think goes out on 4 or 5 locals in the Midlands, but for the rest of the time, programmes come from the studio based in the area served and the listeners know, and appreciate that.
Now this new programme, presumably, although not yet decided, will come from London, or maybe Birmingham or Salford, but it will not be from the local studio. And, however you dress it up, that fact cannot be hidden. Whilst I am not happy with it, I can understand why it is being done, but I am a bit suprised they chose the 1900-2200 slot, which it has already been said, will see many stations opt-out during the footie season to cover the local clubs in league and cup matches during the midweek. Personally, I would have thought the 2200-0100 slot would have been better for this networked programme. Unless that is, the editors in local radio feel that they get more ‘local’ listeners in this later slot.I am sure the BBC are resigned to the fact that many stations will be opting out for live sport. They may even make a point about it, highlighting the fact that although the slot is networked, local stations are still able to opt-out and provide locally demanded content.
I can’t see RIG objecting either, although there must be only a handful of companies who have the skills to do this and the will to churn out a lot of radio. My guess is the programme will not be news driven and instead by older version of the in-demand shows across Bauer. Lots of showbiz, entertainment driven and BIG. It’s the only way to draw attention away from the fact it’s not local.
Evening listening can be quite different to daytime and for lots of listeners once they get past the new voice(s) they won’t object too much. I only hope, though, that the emergency plan includes being able to get staff in local studios when they have to.
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I still can’t understand the reason why that The Roger Day Show is going to be axed just because of this. The Roger “Twiggy” Day Show was one of those radio programmes which was really worth listening too.
What a pity it wasn’t available in my Local/Regional area
(BBC Radio Wales)